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Showing posts with label My books. Show all posts
Showing posts with label My books. Show all posts

Friday, March 06, 2026

Two for one, Sacred Harp history

In researching a composer of a song in the 1911 J. L. White Sacred Harp, A. O. Jackson, I was not only able to identify him, but also Mattie Pope of the 1902 W. M. Cooper Sacred Harp, who I had previously failed to identify.

Jackson, A. O. Andrew Orestes Jackson was born August 20, 1888 at Glenwood, Alabama. He was the son of Andrew Jackson and Mary Ann Richburg. He graduated from the Alabama Polytechnic Institute in 1916 with a Bachelors of Science degree,[i] served in World War I, and afterward married Martha Matilda “Mattie” Pope (1889–1947) on September 7, 1919 in Luverne, Crenshaw County, Alabama. They were active in singing conventions in this area. Mattie is credited with arranging The Blessed Lamb in the Cooper Revision of The Sacred Harp. She taught music, including piano. A. O. Jackson served on the “Examining Committee” of the Sweetwater Musical Convention (1912), Secretary of the Luverne Annual Singing (1924), and in other offices A. O. worked at several occupations, but primarily as a teacher. He advertised as a piano tuner in Luverne in the mid-1920s. They lived in Luverne, Mountain Creek, and Montgomery in Alabama, and Miami in Florida (and perhaps other places). After Mattie’s death, A. O. Jackson married Germa Blanton in 1949. He died April 30, 1982 in Brooks County, Georgia. A. O. and Mattie are buried in the Laurel Hill Cemetery in Thomasville, Thomas County, Georgia.

504       The Love of God

Pope, Mattie. Martha Matilda “Mattie” Pope was the daughter of George William Pope and Sarah Missouri Head of Crenshaw County, Alabama, born January 29, 1889. She arranged The Blessed Lamb, a song already in The Sacred Harp on page 454, when she was about 13 years old. The greatest part of the arrangement of this tune is the change of the initial section from 3/4 to 2/4 time. There are a few note changes as well. Minnie Floyd added the alto part. In her youth, Mattie was active in the singings in Crenshaw County. She served as secretary of the all-day singing at Luverne in 1908 (as well as other years). W. M. Cooper was among the “prominent visiting singers present.” Mattie taught music in school, and taught private piano lessons. She married fellow Sacred Harp singer A. O. Jackson at Luverne, September 7, 1919. They lived in Luverne, Mountain Creek, and Montgomery in Alabama, and Miami in Florida (and perhaps other places). Mattie died in Miami, Florida. A. O. and Mattie are buried in the Laurel Hill Cemetery in Thomasville, Thomas County, Georgia.

454       The Blessed Lamb (arranged)

 

Jackson, A. O.

U.S. Censuses 1900-1950

https://www.findagrave.com/memorial/176908845/andrew_orestes-jackson

“The Sweet Water Singing Convention,” Crenshaw County News, Thursday, August 8, 1912, p. 4

“Singing Convention at Campground,” The Luverne Journal, Thursday, July 29, 1915, p. 8

“Luverne Annual Singing,” Crenshaw County News, Thursday, June 5, 1924, p. 1

“For Piano Tuning,” Crenshaw County News, Thursday, July 3, 1924, p. 3

 

Pope, Mattie

U. S. Federal Censuses, 1900-1940

https://www.findagrave.com/memorial/176908826/martha-matilda-jackson

“News of Luverne,” The Montgomery Advertiser, Tuesday, June 9, 1908, p. 2

“Pope-Jackson At Luverne,” The Luverne Journal, Thursday, September 18, 1919, p. 1

“Mrs. A. O. Jackson Dies At Her Home in Miami,” The Montgomery Advertiser, Saturday, November 1, 1947, p. 8


[i] Alabama Polytechnic Institute is now Auburn University.

Saturday, December 30, 2023

2023 Books

According to Library Thing, as of 12/23/2023 I had added these 26 books to my library catalog in 2023.

  1. The Greek New Testament, Textus Receptus, Reader’s Edition
  2. Arminian Baptists: A Biographical History of Free Will Baptists
  3. Compact Reference Bible, Snap Flap Edition (KJV, Black Leatherflex)
  4. Common Usage Dictionary: Spanish-English, English-Spanish (Living Language)
  5. Tributaries: Journal of the Alabama Folklife Association (No. 14, 2020)
  6. Virgil O. Stamps’ Radio Song Album, Virgil Oliver Stamps
  7. Our Authorized Bible Vindicated
  8. Our Authorized Bible: Answers to Objections
  9. Thomas Clark of Canterbury (1775-1859)
  10. The Little Baptist by James M. Martin
  11. Modern Bible Translations Unmasked
  12. Remove Not the Ancient Landmark: the Case against the Revised Version 1881
  13. Between Two Rivers: a History of Wells, Texas
  14. A History of Three Ghost Towns of East Texas Near the Cherokee and Angelina County Line
  15. Authorised New Testament and Revised Contrasted
  16. A Brief Examination of the New Revised Standard Version
  17. Antigodlin Stories of the Sacred Harp
  18. Cold-Case Christianity: A Homicide Detective Investigates the Claims of the Gospels
  19. Translating the Bible: From William Tyndale to King James
  20. Anchor Bible Map Book: Bible Maps and Helps
  21. Understanding the Times - Volume Three. Perilous Times: Deep Truths for Shallow Waters
  22. Following the Footprints: a Condensed Look from the Past to the Present, New Salem Baptist Church 1858-2006
  23. The Dorean Principle: A Biblical Response to the Commercialization of Christianity
  24. History of London Baptist Church, New London, Texas: Volumes I & II 1856-2006
  25. Historical Markers Rusk County, Texas
  26. The Life of Henry Ainsworth, With Tributes by the Governor Master William Bradford (Together with a few Psalms from the Ainsworth Psalter)

Almost all of these are print books, except one, I think. I purchased most of them, though some were donated to me. Two or three were furnished freely, without charge.

If there might be one above all the others that I would recommend you read this next year, it is The Dorean Principle, by Conley Owens. I will post a review of it, available HERE on January 16.

Thursday, August 31, 2023

Acts Commentary

At our church I am conducting a weekly Bible study on the New Testament book The Acts of the Apostles. At present we have been studying Acts for over a two-and-a-half years, and are about halfway through the book (near the end of chapter 14 this week). In connection with the study I am preparing and printing comments on the text as a companion to the study of this New Testament book. My long term goal, Lord willing, is to compile, edit, and publish these notes as a commentary on the book of Acts.

I am under no illusions that there will be a high demand for a commentary by this preacher. However, I believe there is a great need for a modern commentary on the book of Acts that (1) proceeds from the belief that the Bible is inspired, infallible, accurate, trustworthy, sufficient, and providentially preserved; (2) is developed in harmony with biblical local church ecclesiology and practice; and (3) recognizes that New Testament apostolic practice is normative. Additionally, such a commentary for English readers is based on the King James Bible and supported by the Greek Textus Receptus.

I provide this explanation, because in preparing my post for today it occurred to me that I could (and perhaps should) post on my blog excerpts from my Acts commentary. The post that will follow today is not strictly an excerpt, but prepared specifically for the blog based on study and work I have done on Acts 15. If the Lord wills, going forward I will try to post material about the book of Acts from my comments on Acts on a weekly basis, perhaps on Thursdays or Fridays. It will not be all the material, and not necessarily in order. May it possibly be a blessing to someone.

Saturday, January 30, 2021

Materials Toward a History, Book Review

I thought I had posted this in the past, but failed to find it. So…

Keith Harper of Southeastern Seminary reviewed Materials Toward a History of Feet Washing Among the Baptists in The Journal of Baptist Studies (Volume 4, 2010, pp. 91-94). This gives an idea of what the book is about.

“…feet washing defies all attempts at categorization, beginning with nomenclature….agreeing on a reason for practicing the right is almost as challenging as agreeing on terminology. That is, even those groups who practice feet washing do so for different reasons.”

Saturday, February 15, 2020

A. N. Whitten and the Harp of Ages


I have completed and published “The Noted Singer and Music Instructor”: A. N. Whitten and the Harp of Ages. It is a small booklet of 84 pages, biographical information on Archibald Newton Whitten and history of his song book, the Harp of Ages. Could be interesting to those interested in shape note music and/or Baptist history (especially Primitive Baptist history).

Friday, July 06, 2018

My Books

Updated alphabetical and chronological lists of books and pamphlets by Robert L. Vaughn; some with previews

Alphabetical
  • A Better Paradigm for the Study of Baptist History? with Mark Osgatharp, Nathan Finn, 2009
  • A Biblical Marriage: What is It?, 2012
  • A Brief History of Old Prospect Baptist Church, 1984
  • A Directory of Gospel Singings held in East Texas, 2012
  • A History of Smyrna Baptist Church, 1873-2008 by J. W. Griffith, 1978, revised & updated by R. L. Vaughn, 2008
  • A Message of Divine Judgment: Old Bad Edom meets Obadiah, 2013
  • A Sheaf of Psalms and Hymns and Spiritual Songs, 2009
  • American Baptist Association: a Survey and Census of its Churches and Associations, 2001
  • Angus McAllister Stewart: “Man of God, Friend of All Mankind,” and the Founding Father of the Free Will Baptist Church in Texas, 2017
  • Approaching 150: A Brief History of the East Texas Musical Convention and Sacred Harp in East Texas, 2005
  • Baptist Doctrine: Foot-Washing (The Doctrine of Feet Washing), 1984
  • Before Pentecost: the Origin of the Church, 1996
  • Controversial Subjects: Book One, 1996
  • Defining Division: the Bonham and Fort Worth Councils of 1902, 2002
  • For Such a Time as This. Esther: a Book of Providence, 2012
  • Have the Preeminence: an Introduction to Paul’s Letter to the Colossians, 2008
  • History of the Old Prospect Baptist Church, Sand Flat, Rusk County, Texas, 2014
  • Isaiah: Introduction and Study Helps, 2016
  • Jonah: Prejudice for a People, Pity for a Gourd, 2009
  • Materials Toward a History of Feet Washing among the Baptists, 2008
  • Minutes of the Mt. Carmel Baptist Church, Rusk County, Texas: October 1867 to November 1871, 2006
  • Put That on Mine Account: a Commentary on Paul’s letter to Philemon, 2008
  • Rethinkin’ Our Thinkin’: Thoughts on Sacred Harp “Myths”, 2012
  • Some Suggested Tunes for A Sheaf of Psalms and Hymns and Spiritual Songs, 2009
  • Songs Before Unknown: a Companion to The Sacred Harp, Revised Cooper Edition, 2012, 2015
  • Speaking in Tongues and the Baptism of the Holy Ghost, 2009
  • Still Struggling On: More of My Poems and Hymns, 2013
  • Struggle On: Some of My Poems and Hymns, 2009
  • Sub-groups within the Baptist Denomination in the United States, Canada, and the British Isles, 2004
  • Thaptology: Toward a Christian Theology of the Disposition of the Dead, 2015
  • The Elder unto the Elect Lady and unto Gaius: a Commentary on John’s 2nd & 3rd Epistles, 2010
  • The Harper’s Index: a Metrical Index of the B. F. White Sacred Harp 2000 Revised Edition, 2002
  • The Saints’ Alphabet: In Praise of God’s Word (A Brief Introduction to Psalm 119), 2014
  • Triads: a Compendiary Commentary on the General Epistle of Jude, 2008
  • Unaffiliated Landmark Baptist Churches Survey: a Listing of Unaffiliated Independent Landmark Baptist Churches, 2001
  • Washing Missionary Baptist Feet in East Texas, 2006

Chronological
  • A Brief History of Old Prospect Baptist Church, 1984
  • Baptist Doctrine: Foot-Washing (The Doctrine of Feet Washing), 1984
  • Before Pentecost: the Origin of the Church, 1996
  • Controversial Subjects: Book One, 1996
  • American Baptist Association: a Survey and Census of its Churches and Associations, 2001
  • Unaffiliated Landmark Baptist Churches Survey: a Listing of Unaffiliated Independent Landmark Baptist Churches, 2001
  • Defining Division: the Bonham and Fort Worth Councils of 1902, 2002
  • The Harper’s Index: a Metrical Index of the B. F. White Sacred Harp 2000 Revised Edition, 2002
  • Sub-groups within the Baptist Denomination in the United States, Canada, and the British Isles, 2004
  • Approaching 150: A Brief History of the East Texas Musical Convention and Sacred Harp in East Texas, 2005
  • Minutes of the Mt. Carmel Baptist Church, Rusk County, Texas: October 1867 to November 1871, 2006
  • Washing Missionary Baptist Feet in East Texas, 2006
  • A History of Smyrna Baptist Church, 1873-2008 by J. W. Griffith, 1978, revised & updated by R. L. Vaughn, 2008
  • Have the Preeminence: an Introduction to Paul’s Letter to the Colossians, 2008
  • Materials Toward a History of Feet Washing among the Baptists, 2008
  • Put That on Mine Account: a Commentary on Paul’s letter to Philemon, 2008
  • Triads: a Compendiary Commentary on the General Epistle of Jude, 2008
  • A Better Paradigm for the Study of Baptist History? with Mark Osgatharp, Nathan Finn, 2009
  • A Sheaf of Psalms and Hymns and Spiritual Songs, 2009
  • Jonah: Prejudice for a People, Pity for a Gourd, 2009
  • Some Suggested Tunes for A Sheaf of Psalms and Hymns and Spiritual Songs, 2009
  • Speaking in Tongues and the Baptism of the Holy Ghost, 2009
  • Struggle On: Some of My Poems and Hymns, 2009
  • The Elder unto the Elect Lady and unto Gaius: a Commentary on John’s 2nd & 3rd Epistles, 2010
  • A Biblical Marriage: What is It?, 2012
  • A Directory of Gospel Singings held in East Texas, 2012
  • For Such a Time as This. Esther: a Book of Providence, 2012
  • Rethinkin’ Our Thinkin’: Thoughts on Sacred Harp “Myths”, 2012
  • A Message of Divine Judgment: Old Bad Edom meets Obadiah, 2013
  • Still Struggling On: More of My Poems and Hymns, 2013
  • History of the Old Prospect Baptist Church, Sand Flat, Rusk County, Texas, 2014
  • The Saints’ Alphabet: In Praise of God’s Word (A Brief Introduction to Psalm 119), 2014
  • Songs Before Unknown: a Companion to The Sacred Harp, Revised Cooper Edition, 2012, 2015
  • Thaptology: Toward a Christian Theology of the Disposition of the Dead, 2015
  • Isaiah: Introduction and Study Helps, 2016
  • Angus McAllister Stewart: “Man of God, Friend of All Mankind,” and the Founding Father of the Free Will Baptist Church in Texas, 2017

Tuesday, May 16, 2017

Books by R. L. Vaughn

Books and pamphlets by Robert L. Vaughn, with some previews

A Better Paradigm for the Study of Baptist History? with Mark Osgatharp, Nathan Finn, 2009
A Brief History of Old Prospect Baptist Church, 1984
A History of Smyrna Baptist Church, 1873-2008 by J. W. Griffith, 1978, revised by R. L. Vaughn, 2008
A Message of Divine Judgment: Old Bad Edom meets Obadiah, 2013
American Baptist Association: a Survey and Census of its Churches and Associations, 2001
Baptist Doctrine: Foot-Washing (The Doctrine of Feet Washing), 1984
Before Pentecost: the Origin of the Church, 1996
For Such a Time as This. Esther: a Book of Providence, 2012
History of the Old Prospect Baptist Church, Sand Flat, Rusk County, Texas, 2014
Jonah: Prejudice for a People, Pity for a Gourd, 2009
Minutes of the Mt. Carmel Baptist Church, Rusk County, Texas: October 1867 to November 1871, 2006
Put That on Mine Account: a Commentary on Paul’s letter to Philemon, 2008
Speaking in Tongues and the Baptism of the Holy Ghost, 2009
Sub-groups within the Baptist Denomination in the United States, Canada, and the British Isles, 2004
Thaptology: Toward a Christian Theology of the Disposition of the Dead, 2015
The Saints’ Alphabet: In Praise of God’s Word (A Brief Introduction to Psalm 119), 2014
The Elder unto the Elect Lady and unto Gaius: a Commentary on John’s 2nd & 3rd Epistles, 2010
The Harper’s Index: a Metrical Index of the B. F. White Sacred Harp 2000 Revised Edition, 2002
Triads: a Compendiary Commentary on the General Epistle of Jude, 2008
Unaffiliated Landmark Baptist Churches Survey: a Listing of Unaffiliated Independent Landmark Baptist Churches, 2001

Tuesday, December 15, 2015

Errata for Songs Before Unknown

Errata for Songs Before Unknown:a Companion to The Sacred Harp, Revised Cooper Edition, 2012
  • Page 40, Tenth Edition: Change "This book is printed sometime after 1927..." to "This book is printed sometime after 1936..." (B. P. Poyner and the Faust brothers still owned the book in 1936.)
  • Page 68, Add "by George Horne of Norwich, England" to "the text is from The Christian’s Magazine, 1760."
  • Page 79, Leonard C. Everett: Add "L. C. Everett is probably the son of Nathan Everett and Sarah Holden."
  • Page 86, Add "Steven Helwig passed away Sunday, January 21, 2018 in Gridley, Butte County, California."
  • Page 94: Add "Elder Johnny Lee died November 1, 2016 and Delorese Lee died February 12, 2017. They are buried at the High Bluff Cemetery, Hoboken, Brantley County, Georgia."
  • Page 98, in R. C. Lowry bio: change "Printed versions of this tune may possibly exist to the mid-1800s, or it may have only existed previously in oral tradition" to "The melody of Farther On is at least as early as Orestes by Leander Thompson in The Devotional Harmonist, Charles Dingley, New York, NY: George Lane and Levi Scott, 1849, p. 343. It may have existed previously in oral tradition." (Thanks to Erin Fulton.)
  • Page 101, Mrs. E. D. Martin bio: replace with "Martin, Mrs. E. D. is Frances Virginia Delony, a daughter of William Henry Delony and Rebecca Jane Windham. She was a sister of Clarah Delony (1867–1890), of whom she wrote the 387 alto in memory. Frances Virginia Delony was born in December of 1873.  She married E. B. Martin in Dale County, Alabama on November 25, 1894. (Either his initials are in error in the songbook or he perhaps had 3 initials.) Frances died May 13, 1962. She and Edward B. Martin are buried at the Evergreen Cemetery at Elba in Coffee County. Frances and Clarah Deloney were great nieces of Elder John W. Parker (q.v.), a brother of their paternal grandmother."
  • Page 124, in Carmei Taylor bio: change "Carmi Wealthy/Welsey Taylor" to "Carmi Wealthy Taylor"
  • Page 126, in W. H. Terry bio: change "The location of his burial is unknown" to "W. H. Terry and his wife Amanda Simmons Terry are buried at the Greenwood Cemetery in Montgomery, Alabama."
  • Page 130, in W. R. Waldrup bio: change "Religion is Sweet was written by W. R. Waldrup for the 1850 edition of The Sacred Harp" to "Religion is Sweet was published on the front page of The Organ, August 1, 1855. It was added to The Sacred Harp in 1860."
  • Page 138, in E. F. Williams bio: change "W. L. Williams (q.v.)" to "W. L. Williams (q.v., pp. 250-251)"
  • Page 143, Gathering Home (33): TEXT: replace "Isaac Watts, 1709, stanza 1..." with "Isaac Watts, 1707, stanza 1..."
  • Page 144, Sessions (38a): Add a footnote: "Text altered by Rippon from “The Hardy Soldier” by Isaac Watts, which was written circa 1695."
  • Page 144, Lenox (40); TEXT: replace "Charles Wesley, 1750" with "Hymns for New-Year’s-Day, Bristol: 1749." Add a footnote "Attributed to Selina Hastings in the 18th century." (Thanks to Gerald Montagna)
  • Page 145, The Converted Thief (44); Hymn Meter replace "C.M." with "C.M.D."
  • Page 148 Saints Bound for Heaven (60); TEXT: consider replacing "Elliott’s The Sacred Lyre, 1828" with "Social and Camp-meeting Songs, for the Pious (9th edition), Armstrong and Plaskitt, 1827." (Thanks to Wade Kotter)
  • Page 150, Minister’s Farewell (69); TEXT: replace "Divine Hymns, or Spiritual Songs, 1794" with "Collection of Sacred Ballads, 1790." (Thanks to Robert Kelley)
  • Page 150, Show Pity, Lord (73a); TEXT: replace "Isaac Watts, 1707" with "Isaac Watts, 1719."
  • Page 155, Gospel Trumpet (99); Hymn Meter replace "L.M." with "8.8.8.8.8.4."
  • Page 162 Morality (136); TEXT: replace "Hannah More, 1803" with "Hannah More, circa 1762; “Florella’s Song” in A Search After Happiness (alt.)."
  • Page 162, Liberty (137); TEXT: Replace "Unknown" with "“Anthem for the Fourth of July” (Stanza 2), author unknown, printed in The Weekly Museum (New York, NY), Vol. VIII, No. 373, July 4, 1795, p. 4." (Thanks to Rachel Hall)
  • Page 163 Complainer (141); TEXT: replace "Southern Harmony, 1835" with "John Purify’s A Selection of Hymns and Spiritual Songs in Two Parts, 1831 (maybe 1826)." (Thanks to Wade Kotter)
  • Page 166 Hark! From the Tomb (Plenary) (162); TUNE: replace "Arranged by A. C. Clark, 1829" with "Arranged by A. C. Clark, 1839."
  • Page 168 Star in the East (175); TEXT: replace "Reginald Heber, 1811" with "Anonymous, The Brick Church Hymns, New York: 1823." (Thanks to Gaylon Powell)
  • Page 169, The Gospel Invitation (181): Change "Charles Wesley, 1747, with added chorus text that appears as stanza one of Room For All in Songs of the Pentecost, 1894; words credited to L. B. Bates" to "Anonymous from The Psalmist, Stowe and Smith, 1844, Hymn No. 418 (Though incorrectly credited there to Huntingdon’s Collection)" [This hymn, titled "Yet there is room," only shares the first line with Wesley’s 1747 hymn.]
  • Page 172, Mission (204): Change tune attribution "Arranged by Andrew Grambling, 1835" to "Arranged by William Andrew Gramling, 1835"
  • Page 173, Minnesota (210): Change text attribution "Isaac Watts, 1719" to "Isaac Watts, Horae Lyricae, 1706; chorus by Stanley Smith"
  • Page 176, The Christian’s Song (240): Change text attribution to "Love Triumphant, or Constancy Rewarded, Troy, NY: Luther Pratt and Co., 1797" with the footnote that Love Triumphant is generally attributed to Abner Read, though not in the book itself. (Thanks to Gerald Montagna); Add to tune attribution "Alto by Minnie Floyd, 1902"
  • Page 178, Restoration New (265a): After "Rippon’s A Selection, 1787," in text attribution, Add "Altered from Sacred Hymns for the Children of God, in the Days of Their Pilgrimage, Part II, John Cennick, London: Printed by John Lewis, 1742; The first stanza of Hymn CXIV on p. 157" (Thanks to Wade Kotter)
  • Page 179, Restoration (268a): Change "Alto from The Sacred Harp, 4th Edition with Supplement, J. L. White, 1911" to "Alto arranged from The Sacred Harp, 5th Edition, J. L. White, 1909 (possibly by Rev. A. B. Carrell)"
  • Page 181, Cross for You and Me (279): Change "Thomas Shepherd, 1693" to "Stanza 1: Thomas Shepherd (alt.) 1693; Stanza 2: Plymouth Collection of Hymns and Tunes, Henry Ward Beecher, 1855)"
  • Page 190, Long Sought Home (343): Change text attribution from "Text: F.B.P., circa 1600; This version is from Collection of Sacred Ballads by Andrew and Richard Broaddus in 1790" to "Text: Stanzas one and two are stanzas one and seven (altered) in a manuscript by F.B.P., circa 1593; Stanzas 1-2 and the third stanza in The Sacred Harp, 2012 are found in Collection of Sacred Ballads by Andrew and Richard Broaddus, 1790. Stanza three is stanza seven in Sacred Ballads. The chorus is from The Southern Harmony, 1847" (Thanks to Wade Kotter and Robert Kelley)
  • Page 191, Jesus is My Friend (345a): Change tune attribution from "Arranged by J. P. Rees for 1860 Sacred Harp" to "Arranged by J. P. Rees for 1870 Sacred Harp"
  • Page 193, I Have No Mother Now (363): TEXT: replace "John Wesley Miller, 1909" with "Arranged from Corolla H. Criswell, in Godey’s Lady’s Book and Magazine, Pennsylvania: January 1856."
  • Page 193, Southwell (365): TEXT: add footnote "The text by Seagrave is L. M. and the altered text is C.P.M. The altered text can be found as stanza one of Hymn LXIV (It is finish’d) in A Collection of Hymns for Social Worship, more particularly design’d for the Use of the Tabernacle Congregation, in London (George Whitefield, London: William Strahan, 1753)" (Thanks to Antonio James Higgins)
  • Page 201, The Finest Flower (411): Change "Joseph Swain, 1834" to "Joseph Swain, 1792 (alt.)" [Note: This appeared in Swain’s 1792 book Walworth Hymns]
  • Page 201, The Loved Ones (413): Change "11s.8s." to "11s.8s.D." To clarify text, add "Margaret Courtney, by 1844; Printed in The Poetical Works of Margaret Courtney, 1850"
  • Page 213, Behold A Sinner (479): Change "John Dobell’s Selection, 1810…" to "John Dobell in his Selection, 1810..." [Note: In his book, Dobell credits himself for the 3 stanzas of this hymn, in the place he normally lists the author.]
  • Page 216, Peterborough (504a): Change "Ralph Harrison, 1786" to "Arr. of Lavington, from The Musical Instructor, Lewis Seymour and Thaddeus Seymour, New York, NY: Printed by John C. Totten, 1803" (Thanks to Chris Brown and Karen Willard)
  • Page 216, North Jersey (504b): Change "The Christian’s Magazine, 1760" to "George Horne, The Christian’s Magazine, 1760." (Thanks to Aldo Ceresa and Gaylon Powell)
  • Page 220, Heavenly Grace (527): TEXT Change "A Choice Collection, Occum, 1774" to "James Maxwell, 1759" [This is in Maxwell’s, Hymns and Spiritual Songs, in Three Books] (Thanks to Chris Brown.) TUNE Change "Thomas Willard Loftin, 1911/1927" to "Thomas Willard Loftin, 1909/1927"
  • Page 223, Gone Home (550): Change "W. T. Dale, circa 1886" to "W. T. Dale, 1884; first published in The Gospel Shower, 1885" (Thanks to Erin Fulton)
  • Page 227, Savannah (583): Change "William Billings, 1778" to "Arranged from a tune by William Billings, 1778" (Thanks to Ron Trial and others)
  • Page 306, Footnote 156: Add "J. L. White’s 5th edition, 2 years...(combined 106 years)"
  • Page 311, Footnote 207: Add "This song appeared in J. L. White’s 1909 Fifth Edition of The Sacred Harp, page 214 (new section)."
  • Page 311, Footnote 212: Replace with "T. W. Carter’s Irwinton first appeared in The Sacred Harp in 1844. A similar tune, called Resignation, is found in the 1854 Southern Harmony (No. 38). Both arrangements are related to the tune Hopewell, which is found in Freeman Lewis’s Beauties of Harmony (5th edition, 1828). N. F. Cheshire’s arrangement of Irwinton in the Cooper revision includes the substitution of texts, change of meter from 8 lines (C.M.D.) to 6 lines (C.M. with two lines of text repeated), and the addition of an alto part."
  • Page 316, Index: Change "Amsterdam: 212, 240" to "Amsterdam: 217, 240"

Friday, December 04, 2015

Addenda for Songs Before Unknown

Addenda for Songs Before Unknown: a Companion to The Sacred Harp, Revised Cooper Edition, 2012

Butterfield, James Austin (May 18, 1837–July 6, 1891) was born in Berkhamsted, Hertfordshire, England in 1837. He learned to play the violin by the time he was four years old. He dreamed of following music, but at age fifteen his parents put him to work in a trade. He came to the United States in 1856, first lighting in New England but shortly moving to Chicago. He gave violin lessons and taught singing schools, and later established Butterfield and Company in Indianapolis, Indiana. His composed When You and I Were Young for lyrics written by George Washington Johnson of Hamilton, Ontario. The tune was first published by Butterfield in 1866 and later by Oliver Ditson and Company. In 1868 he was made director of the Centenary Methodist Episcopal Church choir in Chicago. He moved to Connecticut for a period of time, but returned to Chicago and his directorship of the Centenary Church choir in 1888. He was the second president of the Music Teachers National Association. Though he is usually remembered as a secular composer, he also composed religious tunes – for example, Victory Over Sin for words by Henry S. Perkins (1833-1914). Butterfield died in Chicago and is buried in Graceland Cemetery, Chicago, Cook County, Illinois. B. L. Andrews used When You and I Were Young as a template for the tune Long Ago, Comrades.
        582      Long Ago, Comrades (When You and I Were Young)

Butterfield, James Austin
A Hundred Years of Music in America, William Smythe Babcock Mathews, Chicago, IL: G. L. Howe, 1889, pp. 647-650

Hitchcock. “Hitchcock” wrote the music for Fairfield, No. 29a. This composer likely is Miles Hitchcock, the son of Asahel Hitchcock (1743-1824) and Abigail Law (1747-1827) – and a nephew of preacher, music teacher, compiler, and composer Andrew Law (1749-1821). He was born February 3, 1767 in Cheshire, New Haven County, Connecticut and died December 9, 1843 in Gowanus, Long Island, New York. He was a merchant in New York City for many years, having arrived there at least by 1798. After the death of his first wife (name unknown), Hitchcock married Caroline Catalina Vanderbilt (1782-1851) on October 24, 1825. She was born in August 1782 and died April 10, 1851. Miles and Catalina are buried at Flatbush Reformed Dutch Cemetery in Kings County, New York. According to The Genealogy of the Hitchcock Family, Miles Hitchcock had at least four children – two by his first wife and two by his second wife. Two compositions by Hitchcock appear in Andrew Law’s Rudiments of Music between 1786 and 1790. During this period, Miles Hitchcock was procuring music plates for these revisions. His relationship to Andrew Law and his involvement in the publication of Rudiments of Music make it very likely that this Miles Hitchcock is the “Hitchcock” who composed Fairfield. It is worth noting that Fairfield, Connecticut is in Fairfield County, a neighboring county to New Haven County, where Miles Hitchcock was born. Wilton by Hitchcock appeared in a variant second edition of Law’s Rudiments in 1786. There is a Wilton, Connecticut in Fairfield County.
            29a       Fairfield

Hitchcock
Thanks to Mary Huffman and Warren Steel for discovery and information on Miles Hitchcock, with additional information from Ancestry.com, Find-A-Grave.com, et al.
Fairfield is attributed to “Hitchcock” in the third edition of Rudiments of Music, by Andrew Law, 1791 (A Companion to the New Harp of Columbia, Marion J. Hatchett, Knoxville, TN: University of Tennessee Press, 2003, pp. 6, 245). “Fairfield first appeared in the variant second edition of 1787-90 [of Andrew Law’s Rudiments of Music].” (The Makers of The Sacred Harp, David Warren Steel, Richard H. Hulan, Urbana, IL: University of Illinois Press, 2010, p. 123).
History of Cheshire, Connecticut, from 1694-1840: including Prospect, which, as Columbia parish, was a part of Cheshire until 1829, Joseph Perkins Beach, Cheshire, CT: Lady Fenwick Chapter, D. A. R., 1912, p. 361.
“Died,” The Evening Post, Monday, December 11, 1843, p. 2
The Genealogy of the Hitchcock Family: Who are Descended from Matthias Hitchcock of East Haven, Conn., and Luke Hitchcock of Wethersfield, Conn., by Mrs. Edward Hitchcock, Sr., East Haven, CT: Press of Carpenter & Morehouse, 1894, p. 158
http://home.olemiss.edu/~mudws/errata.html

Howard, Samuel Lafayette Sr. (December 10, 1860–October 8, 1940) was born in either Muscogee or Harris County, Georgia, the son of James W. Howard and Tinsey Narramore of Muscogee County. He was a composer and singing school teacher, a student of A. J. and J. H. Showalter. He began teaching singing schools in 1886. He was editor of Gospel Banner and an associate editor of Crowning Vocalist and Hymns of Glory. Howard lived with his parents in Muscogee County, Georgia in the 1870, 1880, and 1900 censuses, and was living in Columbus in 1904. The 1900 census lists the occupation of the 38-year old Samuel Howard as “Music Teacher.” Howard married Lydia Dowdell on December 24, 1907 in Lee County, Alabama, and lived at or near Auburn in that county until his death in 1940. In the 1910 census, Howard’s occupation is “Farmer” and he is listed simply as “Prof. Howard”. The B. F. White Sacred Harp added At the Golden Gates to the book in 1950. It previously appeared in The Vocal Class Leader under the title They are Waiting for You and Me, tune by Howard and the words written by G. Beaverson. S. L. Howard died October 8, 1940. He and his wife Lydia are buried at the Pine Hill Cemetery at Auburn, Lee County, Alabama.
            476      At the Golden Gates
 
Howard, Samuel Lafayette
The Best Gospel Songs and Their Composers, A. J. Showalter, Dalton, GA: The A. J. Showalter Co., Dallas, TX: The Showalter-Patton Co., 1904, p. 285
The Montgomery Advertiser, Thursday, October 10, 1940, p. 8
U. S. Federal Censuses, Muscogee County, Georgia, 1870, 1800, 1900; Lee County, Alabama, 1910-1940

Lee, David Jonathan “Johnny” (July 20, 1934–November 1, 2016) Johnny Lee passed away Tuesday November 1, 2016. He was buried Friday the 4th at the High Bluff Cemetery near Hoboken, Georgia.

Helwig, Steven (November 18, 1957–January 21, 2018) Steven Helwig passed away Sunday, January 21, 2018 in Gridley, Butte County, California.


Spurlock, Tom Junior “Tommie” (June 7, 1930—January 24, 2024) … Margaret died March 6, 2020. Tommie died January 24, 2024. They are buried at the Mabson Methodist Church Cemetery in Dale County, Alabama.

Pope, Mattie. Martha Matilda “Mattie” Pope was the daughter of George William Pope and Sarah Missouri Head of Crenshaw County, Alabama, born January 29, 1889. She arranged The Blessed Lamb, a song already in The Sacred Harp on page 454, when she was about 13 years old.. The greatest part of the arrangement of this tune is the change of the initial section from 3/4 to 2/4 time. There are a few note changes as well. Minnie Floyd added the alto part. In her youth, Mattie was active in the singings in Crenshaw County. She served as secretary of the all-day singing at Luverne in 1908 (as well as other years). W. M. Cooper was among the “prominent visiting singers present.” Mattie taught music in school, and taught private piano lessons. She married fellow Sacred Harp singer A. O. Jackson at Luverne, September 7, 1919. They lived in Luverne, Mountain Creek, and Montgomery in Alabama, and Miami in Florida (and perhaps other places). Mattie died in Miami, Florida. A. O. and Mattie are buried in the Laurel Hill Cemetery in Thomasville, Thomas County, Georgia.
            454       The Blessed Lamb (arranged)

Pope, Mattie
U. S. Federal Censuses, 1900-1940
https://www.findagrave.com/memorial/176908826/martha-matilda-jackson
“News of Luverne,” The Montgomery Advertiser, Tuesday, June 9, 1908, p. 2
“Pope-Jackson At Luverne,” The Luverne Journal, Thursday, September 18, 1919, p. 1
“Mrs. A. O. Jackson Dies At Her Home in Miami,” The Montgomery Advertiser, Saturday, November 1, 1947, p. 8

Tuesday, November 03, 2015

Errata and addenda for Songs Before Unknown

Errata and addenda for Songs Before Unknown:a Companion to The Sacred Harp, Revised Cooper Edition, 2012


Addenda

Butterfield, James Austin (May 18, 1837–July 6, 1891) was born in Berkhamsted, Hertfordshire, England in 1837. He learned to play the violin by the time he was four years old. He dreamed of following music, but at age fifteen his parents put him to work in a trade. He came to the United States in 1856, first lighting in New England but shortly moving to Chicago. He gave violin lessons and taught singing schools, and later established Butterfield and Company in Indianapolis, Indiana. His composed When You and I Were Young for lyrics written by George Washington Johnson of Hamilton, Ontario. The tune was first published by Butterfield in 1866 and later by Oliver Ditson and Company. In 1868 he was made director of the Centenary Methodist Episcopal Church choir in Chicago. He moved to Connecticut for a period of time, but returned to Chicago and his directorship of the Centenary Church choir in 1888. He was the second president of the Music Teachers National Association. Though he is usually remembered as a secular composer, he also composed religious tunes -- for example, Victory Over Sin for words by Henry S. Perkins (1833-1914). Butterfield died in Chicago and is buried in Graceland Cemetery, Chicago, Cook County, Illinois. B. L. Andrews used When You and I Were Young as a template for the tune Long Ago, Comrades.
        582      Long Ago, Comrades (When You and I Were Young)

Butterfield, James Austin 
A Hundred Years of Music in America, William Smythe Babcock Mathews, Chicago, IL: G. L. Howe, 1889, pp. 647-650

Hitchcock. “Hitchcock” wrote the music for Fairfield, No. 29a. This composer likely is Miles Hitchcock, the son of Asahel Hitchcock (1743-1824) and Abigail Law (1747-1827) – and a nephew of preacher, music teacher, compiler, and composer Andrew Law (1749-1821). He was born February 3, 1767 in Cheshire, New Haven County, Connecticut and died December 9, 1843 in Gowanus, Long Island, New York. He was a merchant in New York City for many years, having arrived there at least by 1798. After the death of his first wife (name unknown), Hitchcock married Caroline Catalina Vanderbilt (1782-1851) on October 24, 1825. She was born in August 1782 and died April 10, 1851. Miles and Catalina are buried at Flatbush Reformed Dutch Cemetery in Kings County, New York. According to The Genealogy of the Hitchcock Family, Miles Hitchcock had at least four children – two by his first wife and two by his second wife. Two compositions by Hitchcock appear in Andrew Law’s Rudiments of Music between 1786 and 1790. During this period, Miles Hitchcock was procuring music plates for these revisions. His relationship to Andrew Law and his involvement in the publication of Rudiments of Music make it very likely that this Miles Hitchcock is the “Hitchcock” who composed Fairfield. It is worth noting that Fairfield, Connecticut is in Fairfield County, a neighboring county to New Haven County, where Miles Hitchcock was born. Wilton by Hitchcock appeared in a variant second edition of Law’s Rudiments in 1786. There is a Wilton, Connecticut in Fairfield County.
            29a       Fairfield

Hitchcock
Thanks to Mary Huffman and Warren Steel for discovery and information on Miles Hitchcock, with additional information from Ancestry.com, Find-A-Grave.com, et al.
Fairfield is attributed to “Hitchcock” in the third edition of Rudiments of Music, by Andrew Law, 1791 (A Companion to the New Harp of Columbia, Marion J. Hatchett, Knoxville, TN: University of Tennessee Press, 2003, pp. 6, 245). “Fairfield first appeared in the variant second edition of 1787-90 [of Andrew Law’s Rudiments of Music].” (The Makers of The Sacred Harp, David Warren Steel, Richard H. Hulan, Urbana, IL: University of Illinois Press, 2010, p. 123).
History of Cheshire, Connecticut, from 1694-1840: including Prospect, which, as Columbia parish, was a part of Cheshire until 1829, Joseph Perkins Beach, Cheshire, CT: Lady Fenwick Chapter, D. A. R., 1912, p. 361.
“Died,” The Evening Post, Monday, December 11, 1843, p. 2
The Genealogy of the Hitchcock Family: Who are Descended from Matthias Hitchcock of East Haven, Conn., and Luke Hitchcock of Wethersfield, Conn., by Mrs. Edward Hitchcock, Sr., East Haven, CT: Press of Carpenter & Morehouse, 1894, p. 158

Page 86: Add “Steven Helwig passed away Sunday, January 21, 2018 in Gridley, Butte County, California.”

Page 94: Add “Elder Johnny Lee died November 1, 2016 and Delorese Lee died February 12, 2017. They are buried at the High Bluff Cemetery, Hoboken, Brantley County, Georgia.”

Page 242: Add “Margaret died March 6, 2020. Tommie died January 24, 2024. They are buried at the Mabson Methodist Church Cemetery in Dale County, Alabama.”

Page 114, replace old text:

Pope, Mattie. Martha Matilda “Mattie” Pope was the daughter of George William Pope and Sarah Missouri Head of Crenshaw County, Alabama, born January 29, 1889. She arranged The Blessed Lamb, a song already in The Sacred Harp on page 454, when she was about 13 years old.. The greatest part of the arrangement of this tune is the change of the initial section from 3/4 to 2/4 time. There are a few note changes as well. Minnie Floyd added the alto part. In her youth, Mattie was active in the singings in Crenshaw County. She served as secretary of the all-day singing at Luverne in 1908 (as well as other years). W. M. Cooper was among the “prominent visiting singers present.” Mattie taught music in school, and taught private piano lessons. She married fellow Sacred Harp singer A. O. Jackson at Luverne, September 7, 1919. They lived in Luverne, Mountain Creek, and Montgomery in Alabama, and Miami in Florida (and perhaps other places). Mattie died in Miami, Florida. A. O. and Mattie are buried in the Laurel Hill Cemetery in Thomasville, Thomas County, Georgia.
            454       The Blessed Lamb (arranged)

Pope, Mattie
U. S. Federal Censuses, 1900-1940
https://www.findagrave.com/memorial/176908826/martha-matilda-jackson
“News of Luverne,” The Montgomery Advertiser, Tuesday, June 9, 1908, p. 2
“Pope-Jackson At Luverne,” The Luverne Journal, Thursday, September 18, 1919, p. 1
“Mrs. A. O. Jackson Dies At Her Home in Miami,” The Montgomery Advertiser, Saturday, November 1, 1947, p. 8

Errata
  • Page 40, Tenth Edition: Change "This book is printed sometime after 1927..." to "This book is printed sometime after 1936..." (B. P. Poyner and the Faust brothers still owned the book in 1936.)
  • Page 79, Leonard C. Everett: Add "L. C. Everett is probably the son of Nathan Everett and Sarah Holden."
  • Page 101, Mrs. E. D. Martin bio: replace with "Martin, Mrs. E. D. is Frances Virginia Delony, a daughter of William Henry Delony and Rebecca Jane Windham. She was a sister of Clarah Delony (1867–1890), of whom she wrote the 387 alto in memory. Frances Virginia Delony was born in December of 1873.  She married E. B. Martin in Dale County, Alabama on November 25, 1894. (Either his initials are in error in the songbook or he perhaps had 3 initials.) Frances died May 13, 1962. She and Edward B. Martin are buried at the Evergreen Cemetery at Elba in Coffee County. Frances and Clarah Deloney were great nieces of Elder John W. Parker (q.v.), a brother of their paternal grandmother."
  • Page 124, in Carmei Taylor bio: change "Carmi Wealthy/Welsey Taylor" to "Carmi Wealthy Taylor"
  • Page 126, in W. H. Terry bio: change "The location of his burial is unknown" to "W. H. Terry and his wife Amanda Simmons Terry are buried at the Greenwood Cemetery in Montgomery, Alabama."
  • Page 130, in W. R. Waldrup bio: change "Religion is Sweet was written by W. R. Waldrup for the 1850 edition of The Sacred Harp" to "Religion is Sweet was published on the front page of The Organ, August 1, 1855. It was added to The Sacred Harp in 1860."
  • Page 138, in E. F. Williams bio: change "W. L. Williams (q.v.)" to "W. L. Williams (q.v., pp. 250-251)"
  • Page 143, Gathering Home (33): TEXT: replace "Isaac Watts, 1709, stanza 1..." with "Isaac Watts, 1707, stanza 1..."
  • Page 144, Sessions (38a); Add a footnote: "Altered by Rippon from “The Hardy Soldier” by Isaac Watts, which was written circa 1695."
  • Page 144, Lenox (40); Text: replace "Charles Wesley, 1750" with "Hymns for New-Year’s-Day, Bristol: 1749." Add a footnote "Attributed to Selina Hastings in the 18th century."
  • Page 145, The Converted Thief (44); Hymn Meter replace "C.M." with "C.M.D."
  • Page 148 Saints Bound for Heaven (60); TEXT: consider replacing "Elliott’s The Sacred Lyre, 1828" with "Social and Camp-meeting Songs, for the Pious (9th edition), Armstrong and Plaskitt, 1827." (Thanks to Wade Kotter)
  • Page 150, Minister’s Farewell (69); TEXT: replace "Divine Hymns, or Spiritual Songs, 1794" with "Collection of Sacred Ballads, 1790." (Thanks to Robert Kelley)
  • Page 150, Show Pity, Lord (73a); TEXT: replace "Isaac Watts, 1707" with "Isaac Watts, 1719."
  • Page 155, Gospel Trumpet (99); Hymn Meter replace "L.M." with "8.8.8.8.8.4."
  • Page 162 Morality (136); TEXT: replace "Hannah More, 1803" with "Hannah More, circa 1762; “Florella’s Song” in A Search After Happiness (alt.)."
  • Page 162, Liberty (137); TEXT: Replace "Unknown" with "“Anthem for the Fourth of July” (Stanza 2), author unknown, printed in The Weekly Museum (New York, NY), Vol. VIII, No. 373, July 4, 1795, p. 4." (Thanks to Rachel Hall)
  • Page 163 Complainer (141); TEXT: replace "Southern Harmony, 1835" with "John Purify’s A Selection of Hymns and Spiritual Songs in Two Parts, 1831 (maybe 1826)." (Thanks to Wade Kotter)
  • Page 166 Hark! From the Tomb (Plenary) (162); TUNE: replace "Arranged by A. C. Clark, 1829" with "Arranged by A. C. Clark, 1839."
  • Page 168 Star in the East (175); TEXT: replace "Reginald Heber, 1811" with "Anonymous, The Brick Church Hymns, New York: 1823." (Thanks to Gaylon Powell)
  • Page 169, The Gospel Invitation (181) : Change "Charles Wesley, 1747, with added chorus text that appears as stanza one of Room For All in Songs of the Pentecost, 1894; words credited to L. B. Bates" to "Anonymous from The Psalmist, Stowe and Smith, 1844, Hymn No. 418 (Though incorrectly credited there to Huntingdon’s Collection)" [This hymn, titled "Yet there is room," only shares the first line with Wesley’s 1747 hymn.]
  • Page 172, Mission (204): Change tune attribution "Arranged by Andrew Grambling, 1835" to "Arranged by William Andrew Gramling, 1835"
  • Page 173, Minnesota (210): Change text attribution "Isaac Watts, 1719" to "Isaac Watts, Horae Lyricae, 1706; chorus by Stanley Smith"
  • Page 176, The Christian’s Song (240): Change text attribution to "Abner Read, in Love Triumphant, or Constancy Rewarded, Troy, NY: Luther Pratt and Co., 1797" (Thanks to Gerald Montagna). Add to tune attribution "Alto by Minnie Floyd, 1902"
  • Page 179, Restoration (268a): Change "Alto from The Sacred Harp, 4th Edition with Supplement, J. L. White, 1911" to "Alto arranged from The Sacred Harp, 5th Edition, J. L. White, 1909 (possibly by Rev. A. B. Carrell)"
  • Page 181, Cross for You and Me: Change "Thomas Shepherd, 1693" to "Stanza 1: Thomas Shepherd (alt.) 1693; Stanza 2: Plymouth Collection of Hymns and Tunes, Henry Ward Beecher, 1855)"
  • Page 190, Long Sought Home (343): Change text attribution from "Text: F.B.P., circa 1600; This version is from Collection of Sacred Ballads by Andrew and Richard Broaddus in 1790" to "Text: Stanzas one and two are stanzas one and seven (altered) in a manuscript by F.B.P., circa 1593; Stanzas 1-2 and the third stanza in The Sacred Harp, 2012 are found in Collection of Sacred Ballads by Andrew and Richard Broaddus, 1790. Stanza three is stanza seven in Sacred Ballads. The chorus is from The Southern Harmony, 1847" (Thanks to Wade Kotter and Robert Kelley)
  • Page 191, Jesus is My Friend (345a): Change tune attribution from "Arranged by J. P. Rees for 1860 Sacred Harp" to "Arranged by J. P. Rees for 1870 Sacred Harp"
  • Page 193, I Have No Mother Now (363): TEXT: replace "John Wesley Miller, 1909" with "Arranged from Corolla H. Criswell, in Godey’s Lady’s Book and Magazine, Pennsylvania: January 1856."
  • Page 193, Southwell (365): TEXT: add footnote "The text by Seagrave is L. M. and the altered text is C.P.M. The altered text can be found as stanza one of Hymn LXIV (It is finish’d) in A Collection of Hymns for Social Worship, more particularly design’d for the Use of the Tabernacle Congregation, in London (George Whitefield, London: William Strahan, 1753)" (Thanks to Antonio James Higgins)
  • Page 201, The Finest Flower (411): Change "Joseph Swain, 1834" to "Joseph Swain, 1792 (alt.)" [Note: This appeared in Swain’s 1792 book Walworth Hymns]
  • Page 201, The Loved Ones (413): Change "11s.8s." to "11s.8s.D." To clarify text, add "Margaret Courtney, by 1844; Printed in The Poetical Works of Margaret Courtney, 1850"
  • Page 213, Behold A Sinner (479): Change "John Dobell’s Selection, 1810…" to "John Dobell in his Selection, 1810..." [Note: In his book, Dobell credits himself for the 3 stanzas of this hymn, in the place he normally lists the author.]
  • Page 216, Peterborough (504a): Change "Ralph Harrison, 1786" to "Arr. of Lavington, from The Musical Instructor, Lewis Seymour and Thaddeus Seymour, New York, NY: Printed by John C. Totten, 1803" (Thanks to Chris Brown and Karen Willard)
  • Page 216, North Jersey (504b): Change "The Christian’s Magazine, 1760" to "George Horne, The Christian’s Magazine, 1760." (Thanks to Aldo Ceresa and Gaylon Powell)
  • Page 220,  Heavenly Grace:  TEXT Change "A Choice Collection, Occum, 1774" to "James Maxwell, 1759" [This is in Maxwell’s, Hymns and Spiritual Songs, in Three Books] Thanks to Chris Brown for finding this. TUNE Change "Thomas Willard Loftin, 1911/1927" to "Thomas Willard Loftin, 1909/1927"
  • Page 223, Gone Home (550): Change "W. T. Dale, circa 1886" to "W. T. Dale, 1884; first published in The Gospel Shower, 1885" (Thanks to Erin Fulton)
  • Page 227, Savannah (583): Change "William Billings, 1778" to "Arranged from a tune by William Billings, 1778" (Thanks to Ron Trial and others)
  • Page 306, Footnote 156: Add "J. L. White’s 5th edition, 2 years...(combined 106 years)"
  • Page 311, Footnote 207: Add "This song appeared in J. L. White’s 1909 Fifth Edition of The Sacred Harp, page 214 (new section)."
  • Page 311, Footnote 212: Replace with "T. W. Carter’s Irwinton first appeared in The Sacred Harp in 1844. A similar tune, called Resignation, is found in the 1854 Southern Harmony (No. 38). Both arrangements are related to the tune Hopewell, which is found in Freeman Lewis’s Beauties of Harmony (5th edition, 1828). N. F. Cheshire’s arrangement of Irwinton in the Cooper revision includes the substitution of texts, change of meter from 8 lines (C.M.D.) to 6 lines (C.M. with two lines of text repeated), and the addition of an alto part."
  • Page 316, Index: Change "Amsterdam: 212, 240" to "Amsterdam: 217, 240"