Death and Eternity, by Isaac Watts
1. My thoughts, that often mount the skies,
Go search the world beneath,
Where nature all in ruin lies,
And owns her Sovereign, Death.[i]
2. The tyrant, how he triumphs here,
His trophies spread around!
And heaps of dust and bones appear
Through all the hollow ground.
3. These skulls, what ghastly figures now!
How loathsome to the eyes!
Those are the heads we lately knew
So beauteous and so wise.
4. But where the souls, those deathless things,
That left this dying clay?
My thoughts, now stretch out all your wings,
And trace Eternity!
5. O that unfathomable deep!
Those deeps without a shore!
Where living waters gently creep,
Or fiery billows roar.
6. Thus must we leave the banks of life,
And try this doubtful sea:
Vain are our groans and dying strife
To gain a moment’s stay.
7. There we shall swim in heav’nly bliss,
Or sink in flaming waves,
While the pale carcass thoughtless lies
Amongst the silent graves.
8. Some hearty friend shall drop his tear
On our dry bones, and say,
“These once were strong, as mine appear;
“And mine must be as they.”
9. Thus shall our mould’ring members teach
What now our senses learn:
For dust and ashes loudest preach
The infinite concern.
The above hymn, in 9 stanzas of common meter, was published in Horæ Lyricæ by Isaac Watts. It was not in the 1706 Edition, but was added in 1709. See Horæ Lyricæ, pages 28-30, Book 1. For a little more on Isaac Watts, see HERE. (Fuller biographies of Watts are easily found online.)
In The Sacred Harp (page 300), the fist stanza of Watts’s above text appears with the tune Calvary by Daniel Read.
Daniel Read was born November 16, 1757 in Rehoboth, Massachusetts, the son of Daniel Read and Mary White. He grew up on a farm there, but moved to and settled New Haven, New Haven County, Connecticut in 1782. Here he married Jerusha Sherman (in 1785), ran a general store, made combs, composed music, and taught singing schools. He is considered a key figure in early American music, being part of the “First New England School” of musicians –also known as the “Yankee Tunesmiths.” Various sources assert that Read was the third American composer to publish a collection of his own music, in 1785, known as The American Singing Book. Read later also published The Columbian Harmonist and The New Haven Collection of Sacred Music. He wrote in 1790 An Introduction to Psalmody to instruct and encourage hopeful new composers.
Eleven tunes by Read appear in the 1991 Denson Edition of The Sacred Harp, and five in the 2012 Cooper Edition of The Sacred Harp. Some of his best-known compositions include Windham, Stafford, and Sherburne.
Daniel Read died at age 79 on December 4, 1836. He and his wife are buried at the Grove Street Cemetery in New Haven, Connecticut.
See “Daniel Read complains, gets even” for an excerpt from a letter from Daniel Read to Jacob French in which he complains about Isaiah robbing and republishing his works in the Worcester Collection of Sacred Harmony (1786). The book Music in the USA concludes: “Ironically the ‘pirating,’ or unauthorized borrowing by other tune-book publishers, made it possible for Read’s music to survive.” For example, “‘Greenwich’ was published 82 times in Read’s own era.” (New York, NY: Oxford University Press, 2008, p. 73)
[i] In
the first stanza “owns” (3rd person singular present tense of “own”) seems to
be used primarily in the sense of “acknowledging” or “admitting” rather than
“possessing.” The searched and examined state of nature recognizes or testifies
that “death” is her sovereign.