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Tuesday, September 08, 2026

Poor Old John

Back in September of last year, I mentioned a sad state of affairs. Leftists, liberals, and lost unbelievers asked for the keys to shape note singing, and some shape-note singing leaders gladly handed them over. In that context, I noted the “Prodigal Misgendering” of John Newton’s hymn text about “The Prodigal Son.” The prodigal son and his father are male (in the Bible both in Greek and English, Matthew 13:37-42; and in John Newton’s hymn, Olney Hymns). Nevertheless, persons who regularly complain about people misgendering others are fine with misgendering the prodigal son and his father. What is good for the goose was not good for the gander!

A fellow singer pointed out to me another song in which John Newton’s words have been attacked, altered, and adulterated. This time God is “misgendered” – changing the pronouns from “he” and “his” to “she” and “her.” The second stanza of the song is not original to Newton, but has been attached to his hymn at least as early as 1868. Curiously, while the arranger changes the gender from masculine to feminine in reference to God – he then changes when speaking of humans in the second stanza and rather chooses to use neutral terms so as not signify one gender or another. The reference to “Hell” is also removed.

The texts are presented below for comparison. In the left column is the sixth stanza of the hymn “The Wheat and Tares” by John Newton (Olney Hymns, Book I, Hymn 86), and the additional stanza (possibly by L. Hartsough).[i] The hymn as corrupted and used with the tune Wheat or Tare (Song No. 233) in the 2024 shape-note songbook The Valley Pocket Harmonist is shown in the right column (as arranged by Joshua Rush Barnett, 2020). I use strikethrough (left column) for removals from the original and yellow highlight (right column) for changes or additions.

There is an agenda to being pushed. The Valley Pocket Harmonist is helping push it.


[i] The first stanza is by John Newton, but the second stanza was added to Newton’s hymn – possibly first in The Revivalist by Joseph Hillman and L. Hartsough (1868). L. Hartsough was the music editor of The Revivalist and the arranger of “The Wheat and Tares” on page 67. The song in The Valley Pocket Harmonist also has a chorus: For soon the reaping time will come, And angels shout the harvest home. See also The Wheat and the Tares.

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