Christian shape note

It is a sad commentary on The Sacred Harp that it is rather consistently promoted in modern times as a secular non-Christian activity. Yes, they will usually make some admission to its Christian origins and the existence of Christian hymn texts – but the emphasis is that this is for anyone and everyone. It does not matter what you believe, what is your lifestyle, or even if your worldview is antagonistic toward Christianity.

Now, we recognize that it is true that singings have always been public events to which anyone and everyone was invited. Sacred Harp singers thought their activity was a good thing that could be a blessing to anyone. However, that has been turned on its head, so that anyone and everyone should be strategically involved in how Sacred Harp should be conducted, promoted, written, and revised. 

In contrast to modern “standards,” the old conventions had detailed constitutions and bylaws. Every member had to agree to and abide by those rules. The North East Texas Musical Convention was organized circa 1866 (based on the dating of its annual sessions). “Article 9th” of the Constitution stated “The Sacred Harp shall be our text book at each meeting.” Not only was decorum expected at the convention, but outside of it as well. For example, “Article 10th” of the Bylaws stated “If any member be guilty of any bad conduct, such as drunkenness or disturbing the pease at Public worship, shall be dealt with as the Body may deem wright.”

Obviously the name “Sacred” Harp, the Christian themes of the hymns, and the purpose of conventions promoting “sacred vocal music” indicate what the origin and history of the music is. As one of our bright young Alabama singers reflected, “No one is going to make people say the apostles creed at the door, however, it’s the bare minimum to recognize the Christian nature of what is being participated in.” She also noted, “If that’s a turn-off for someone, perhaps they have been mocking God with a solemn sound upon a thoughtless tongue.”

In the context of that conversation, my daughter also emphasized, “It’s fair to say it’s increasingly evident that describing it [Sacred Harp] transparently as Christian is important and necessary.”

Some of us want to take back our tradition to what it was and is. This is not disinviting non-Christians, but a refined invitation asserting that you need to know and understand what this is before you come. If you do not like that, no one is making you do anything. Your choice.