Can Two Walk Together?

Can two walk together, except they be agreed?” (Amos 3:3). 

A Sacred Harp friend of mine hoped a new revision of The Sacred Harp book undertaken by the Sacred Harp Publishing Company would help bring unity between the Sacred Harp diaspora and the traditional Sacred Harp singers. I don’t doubt his sincerity, but I do doubt his sanity! I can’t imagine how he had come to that conclusion.

The new revision has not brought unity – though I don’t think it technically brought division. Rather it has exposed a deep but veiled division that already existed – a deep oozing wound over which we have been draping a towel while pretending it did not exist. The revision ripped off the towel for full disclosure.

The restroom rhetoric coming from some of the Sacred Harp conventions demonstrates that the Sacred Harp world is divided into two camps that cannot continue to walk together. The Covid clamoring is another controversial topic that reveals we are not headed in the same direction.[i] These are some of the nicer topics, and time would fail me to write about the “Queer Convention” scheduled for New Orleans in February.

A fair number of singings at points beyond still require a negative Covid test (and/or proof of vaccination, etc.) in order for attendees to be “welcomed and affirmed” at their singing conventions.[ii] After five years these folks cannot get beyond COVID-19 fears and restrictions, or…

One wonders whether it could be a clandestine method assured at keeping the most conservative of singers at arm’s length – we welcome everyone (but we don’t want you here)![iii] Tell me it’s not hypocrisy while at the same time explaining to me that 600-700 singers – many from “off summers” where they require publicized Covid policies – piled into Atlanta, Georgia to sing at the United Sacred Harp Musical Association with nary a mention of Covid precautions!

The “restroom rhetoric” is carefully catered to a certain left-leaning worldview. In all the houses in which I have lived in my life, each has had only had one restroom for everyone.[iv] You just go in and lock the door. We didn’t have to dub it as “gender-neutral” – it was just “the bathroom.” I don’t have a problem with that, just with the mindset that must meddle in politics over practicalities in order to force others into agreement, at least tacitly if not in fact.

According to Google AI a “gender-neutral bathroom, also called an all-gender or unisex restroom, is a restroom that can be used by anyone, regardless of their gender identity or sex. These facilities provide a safe and inclusive space for transgender and non-binary individuals…”

Therefore, it seems that the emphasis on “gender-neutral” is a subtle suggestion that transgender and non-binary individuals are affirmed, while conservative Christians still holding to the biblical teaching and worldview of only two genders might not be as welcome.[v] At least their views are not welcome inside and must be left outside the door, effectively demonstrating the intolerance of tolerance!

Can two walk together, except they be agreed? Nay. The only way the two camps have been able to “walk together” thus far, is for the Christian camp to keep their heads down, their mouths shut, and their pens silent. Some of us are no longer willing to suffer it to be so. While men slept, the enemy came and sowed tares among the wheat (Matthew 13:25), but it is high time to awake out of our sleep and rise to the challenge of defending the Christian nature of the hymns and traditions of The Sacred Harp.[vi]

Perhaps Pastor Kent Brandenburg’s portrait of the larger societal picture can help point us in the right direction:

“The only way to combat the cultural reality in the United States, I believe, is by boldly asserting the biblical and historical belief and practice, and then not back down.”[vii]

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[i] There is also a third camp trying to straddle the fence; trying to hold hands with two sides that are walking in different directions. They will eventually have to make up their minds to go one way or the other.
[ii] “When you arrive at the registration desk outside the auditorium, we will check you in and confirm your proof of negative COVID-19 rapid test. We will have tests available for those who are not otherwise able to test the morning of each day of the sing. If you are waiting on a test result, we will ask that you remain outside the auditorium until it is complete.” (New England Convention, 2025). “COVID information ● We will have HEPA air purifiers running throughout the singing. ● Masks are welcome, but optional. We respect all who choose to mask! ● Please stay home if you’re not feeling well. If you feel ill after the singing, let us know so we can send an email to the group. (We’ll keep your name anonymous.)” (NC Shape Note Singing Convention, October 2025). “Day-of negative rapid test required; extra tests will be available. Vaccination required.” (Berkeley Weekly Singing, 2025). “We ask that attendees be vaccinated against COVID-19 and that each attendee provide a same day negative COVID test” (Vermont All-Day, March 2024).
[iii] There has also been the shift from the hospitable “Everyone is welcome” to appeal to various groups that they are specifically welcome: “Whether you are drawn to shape note singing for spiritual, secular, communal, artistic, historic, or other reasons—all are invited! All ages, levels of musical ability, faith traditions, and life experiences are welcome in the ‘hollow square.’” (NC Shape Note Singing Convention, October 2025) “The New England Sacred Harp Convention is a weekend of joining our voices in song to create sacred harmonies. We represent a breadth of identities related to age, religion, gender, sexual orientation, race, nationality, ethnicity, education, ability, class, and political affiliations. We also recognize that our tradition has historically given power to certain identities while marginalizing others.” (New England Convention, 2019).
[iv] With the possible exception of the earliest houses of my infancy that I do not remember, which may have only had “one long path.”
[v] “There are men’s and women’s restrooms on the ground floor, each with one accessible stall. Since these two are public restrooms, we regret that we will be unable to make them gender neutral, and encourage folks to use the bathroom that feels most comfortable to them. There are additional inaccessible restrooms on the third floor, which we will be able to designate as gender neutral.” (New England Convention, 2025) “There are gendered accessible restrooms on the main level. Single-stall, gender-neutral restrooms are located down a flight of stairs. Singing will take place on the main level.)” (NC Shape Note Singing Convention, October 2025). “Toilets are downstairs. There are accessible toilets, gendered toilets and gender neutral toilets available.” (Manchester All-Day, 2025).
[vi] Most of us “slept through” and/or had no knowledge of the scholarly paper “Reorienting Space: Queering Sacred Harp Singing” by Jonathon Smith, University of Illinois, presented at the Society for Ethnomusicology 64th Annual Meeting, 2019. According to Google AI, “Smith’s work explores how LGBTQ+ individuals engage with the traditional American shape-note singing practice of Sacred Harp, interpreting it as a way of ‘queering’ the space and its practices” and that “LGBTQ+ singers and communities reinterpret or reshape the meaning and social dynamics of Sacred Harp singing. This involves more than just their physical presence; it’s an act of reorienting the practice itself toward more inclusive, affirming, and personally meaningful ends.” The author and presenter is a Sacred Harp singer and well-known to members of the 2025 revision committee of the Sacred Harp Publishing Company. (These views are presented at greater length in Smith’s dissertation, “Imagined Space in Sacred Harp Singing.”) Also mark (Romans 16:17) The Hymn Society in the US and Canada as an “aider and abettor” of “queering” Christian music. Note, for example, their “Songs for the Holy Other: Hymns Affirming the LGBTQIA2S+ Community.” Shape note singers pitched in: “On Monday, January 13, 2025, the Baltimore Shape Note Singers met at Four Hour Day Lutherie for an evening that combined tradition with a focus on inclusion. The group sang ‘Love Astounding’, a poem by Jeanette M. Lindholm set to the tune ‘Holy Manna’ from The Sacred Harp. This performance was part of the Songs for the Holy Other: Hymns Affirming the LGBTQIA2S+ Community project, recorded in the traditional Sacred Harp style.”
[vii] https://kentbrandenburg.com/2025/08/18/can-anyone-take-a-biblical-conservative-cultural-position-in-the-united-states-today/