Shifting sand

Certain non-Christian Sacred Harp singers accuse certain Christian Sacred Harp singers of moving the goalposts, changing the way things have been – when it is in fact those non-Christian singers who have moved the goalposts and changed the way things have been. Consider the facts of history. The book was compiled by two Baptist Christians in Georgia, with an eye to serving a (generally Protestant) Christian community. The texts were religious and patriotic texts that fit within their Christian worldview. For most of its history the Sacred Harp community moved along and within those norms. Within the norms, as well, was the idea that the singings were events to which anyone was welcome. One interviewee for the article “Sacred Harp: the punk rock of choral music” said, “I’m not religious” – in a world known for singing Christian religious texts – and added, “It’s rare that you find a group that all you have to do is want to be a member and you are.” I think that comment fairly summed up the past state of things. People came and they participated in singing. However, that is in the past. The present is not the past – not because the Christians moved, but because others took advantage of our good will. We didn’t cross the line. You crossed the line. You came and became part of the group. Eventually you were not satisfied with the group you were part of and wanted to change it.

You went:

• From “we’re here and we want to sing” to “we can’t sing those words.”
• From “we can’t sing those words” to “you can’t sing those words.”

Eventually some singers got tired of the gradual shifts, but suddenly now we are the bad guys when we say we are tired of it!

I do not stand on shifting sand
And fear the storm that rages;
But calm and sure, I stand secure
Upon the Rock of Ages.

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Note, in even more recent developments.

• From “we’re here and we want to sing” to “we’re here and we’re queer.”
• From “we’re here and we’re queer” to “we’re here, queer, and you cannot disapprove our lifestyle.”
• From “we’re here, queer, and you cannot disapprove our lifestyle” to “we’re here and we’re queering ‘The Sacred Harp’!”